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Archived from the original on 4 January Retrieved 29 December Retrieved 31 December Retrieved 26 December GfK Entertainment in German. Retrieved 22 April Retrieved 2 January Retrieved 11 January Retrieved 16 January Retrieved January 16, Beginning with the formation of the Texas Western Railroad Company in Marshall, Texas, through the subsequent establishment in of the Texas and Pacific Railway company, which located its headquarters and shops there, Marshall was the only railroad hub in the Piney Woods of northeast Texas at the time the music developed.
The sudden appearance of steam locomotives, and the building of mainline tracks and tap lines to serve logging operations was pivotal to the creation of the music in terms of its sound and rhythm.
It was also crucial to the rapid migration of the musical style from the rural barrel house camps to the cities and towns served by the Texas and Pacific Railway Company.
Boogie-woogie forever changed piano playing, as ham-handed black piano players transformed the instrument into a polyrhythmic railroad train.
In this way the music got around—all through Texas—and eventually, of course, out of Texas. Now when this new form of piano music came from Texas, it moved out towards Louisiana.
It was brought by people like George W. Thomas , an early pianist who was already living in New Orleans by about and writing "New Orleans Hop Scop Blues", which really has some of the characteristics of the music that we came to know as Boogie.
Paul Oliver also wrote that George W. Thomas "composed the theme of the New Orleans Hop Scop Blues — in spite of its title — based on the blues he had heard played by the pianists of East Texas.
George Thomas and his brother Hersal Thomas migrated from Texas to Chicago, and brought boogie-woogie with them.
Indeed, all modern boogie-woogie bass figures can be found in "The Fives", including swinging, walking broken-octave bass, shuffled swinging chord bass of the sort later used extensively by Ammons, Lewis, and Clarence "Pine Top" Smith , and the ubiquitous "oom-pah" ragtime stride bass.
Early generation boogie-woogie players recognized basic boogie-woogie bass lines by geographical locations with which they associated them.
Lee Ree Sullivan identified a number of these left hand bass lines for Tennison in The most primitive of these left hand bass lines is the one that was called "the Marshall".
It is a simple, four-beats-to-the-bar figure The second-most primitive bass-line, called "the Jefferson", is also four-beats-to-the-bar, but goes down in pitch on the last note in each four-note cycle.
It has been suggested that this downturn in pitch reveals a possible New Orleans influence. Jefferson, Texas , about 17 miles north of Marshall, was the westernmost port of a steamboat route that connected to New Orleans via Caddo Lake, the Red River, and the Mississippi River.
The remaining bass lines rise in complexity with distance from Marshall, Texas as one would expect variations and innovations would occur as the territory in which the music has been introduced expands.
In January , John Tennison summarized his research into the origins of boogie-woogie with the conclusion that Marshall, Texas is "the municipality whose boundaries are most likely to encompass or be closest to the point on the map which is the geographic center of gravity for all instances of Boogie Woogie performance between and ".
It would not be surprising if there was as yet undiscovered evidence of the earliest boogie-woogie performances buried metaphorically or literally in Northeast Texas.
On May 13, , the Marshall City Commission enacted an official declaration naming Marshall as the "birthplace" of boogie-woogie music, and embarked on a program to encourage additional historical research and to stimulate interest in and appreciation for the early African-American culture in northeast Texas that played a vital role in creating boogie-woogie music.
The city of Marshall, Texas is committed to cooperating with any and all efforts to unearth boogie-woogie history and to honor, celebrate, and re-create the vibrant environment that was catalytic to the creation of the most entertaining, revolutionary, and influential of all American musical forms.
Compositional credit is given to Richard M. The Jones composition uses a boogie bass in the introduction with some variation throughout. Thomas number "The Fives" for Okeh Records , considered the first example of jazz band boogie-woogie.
The performance emulated a railroad trip, perhaps lending credence to the "train theory". Boogie-woogie gained further public attention in and , thanks to the From Spirituals to Swing concerts in Carnegie Hall promoted by record producer John Hammond.
They often played in combinations of two and even three pianos, creating a richly textured piano performance. After the Carnegie Hall concerts, it was only natural for swing bands to incorporate the boogie-woogie beat into some of their music.
The Andrews Sisters sang some boogies, and after the floodgates were open, it was expected that every big band should have one or two boogie numbers in their repertoire.
In country artists began playing boogie-woogie when Johnny Barfield recorded "Boogie Woogie". The lyrics leave no doubt that it was a Western boogie-woogie.
It sold over a million records in its original release by Ella Mae Morse and Freddie Slack , and has now been recorded many times.
The trickle of what was initially called hillbilly boogie, or Okie boogie later to be renamed country boogie , became a flood beginning around late One notable country boogie from this period was the Delmore Brothers "Freight Train Boogie", considered to be part of the combined evolution of country music and blues towards rockabilly.
Bill Haley and the Saddlemen recorded two boogies in The boogie beat continued in country music through the end of the 20th century. More representative examples can be found in some of the songs of Western swing pioneer Bob Wills , and subsequent tradition-minded country artists such as Asleep at the Wheel , Merle Haggard , and George Strait.
The popularity of the Carnegie Hall concerts meant work for many of the fellow boogie players and also led to the adaptation of boogie-woogie sounds to many other forms of music.
Most famously, in the big-band genre, the ubiquitous "Boogie Woogie Bugle Boy", which was revamped by Christina Aguilera as her hit, " Candyman ".
In the many styles of blues, especially Chicago blues and more recently West Coast blues , some pianists and guitarists were influenced by, and employed, the traditional boogie-woogie styles.
Otis Spann and Pinetop Perkins , two of the best known blues pianists, are heavily boogie-woogie influenced, with the latter taking both his name and signature tune from Pinetop Smith.
The boogie-woogie fad lasted from the late s into the early s,  and made a major contribution to the development of jump blues and ultimately to rock and roll, epitomized by Fats Domino , Little Richard and Jerry Lee Lewis.
Louis Jordan is famous jump blues musician. Boogie-woogie is still to be heard in clubs and on records throughout Europe and North America.
Big Joe Duskin displayed on his album, Cincinnati Stomp , a command of piano blues and boogie-woogie, which he had absorbed at first hand in the s from Albert Ammons and Pete Johnson.
In Western classical music , the composer Conlon Nancarrow was also deeply influenced by boogie-woogie, as many of his early works for player piano demonstrate.
From Wikipedia, the free encyclopedia. Redirected from Boogie woogie. For other uses, see Boogie-woogie disambiguation.
Rock and roll rockabilly rhythm and blues. Jump blues boogie rock swing. This section needs additional citations for verification.